The city is packed with palaces and churches, ornate gates and towers, theaters and cultural centers, sacred and secular monuments and statuary in a range of gorgeous architectural styles from the Medieval to the Renaissance, Baroque and Gothic and up through 18th and 19th-century classics. Havel no doubt inhabited or visited them all at one time or another: the humanist and artist who used words not weapons to bring a revolution. I was in his footsteps.
I realized it didn't matter where we were, Havel's spirit was there. Surely he worshipped at times at the glorious St. Vitus Cathedral, part of the Prague Palace and Monestary complex, on a hilltop overlooking the whole city. His family once lived nearby, an intellectual and upper class family. The Cathedral was built over several centuries, not years but centuries, so it contains all of the different styles and elements that are part of prague’s architectural heritage. It features lovely slender Gothic towers, distinctive on the Prague skyline, along with incredible Neo-Gothic and Art Nouveau stained glass windows. The nave rises into the heavens, it’s that high. The spirit of Havel hovers. I could see how such beauty and artistry would inspire a revolution.
Just as important as the magnificent and monumental palaces and cathedrals are the lovely and lively town squares: Wensaslas Square (Vaclavske namesti), Old Town Square and Lesser Town Square, centers of commercial and cultural activities, where people gather and where Czech partisans in 1968, and later in the late 1980s, held organizing meetings and public protests. Havel’s motto then, during those revolutionary days, was “Truth and love must replace lies and hate.” I could imagine him stirring up a crowd, surrounded by the stunning beauty of a Prague square, with these words.
The walk down from the hilltop to the squares, on winding cobble-stoned streets lined with the former homes of merchants and craftsmen, is a feast in itself. You get both beautiful panoramic vistas of the city, and close-up views of the beautiful details of every building. You get a sense of the prosperous and proud city of the past, and the free city of the present. Havel’s family, I learned, was very much a part of this culture in this place. Havel absorbed it all, from an early age, a proud Czech with an artistic vision and a world view.
The details of Prague architecture fuse into an elaborate mosaic of red and brown roofs with white and pink chimneys, interwoven with green, yellow, rose, lavender, ochre and colorfully painted facades, decorated with pastel paintings, bas relief, decorated doors and windows above which are lovely house signs. Bella explained that these signs are not only artful decorative items, but also tell of the original owners' occupations. Thus there are signs featuring musical instruments (we saw one with three violines, very lovely), knights on horses, swans and birds, fabric and metal objects, fruits and vegetables, each designating a profession or trade, or perhaps a special interest.
Among these beautiful houses is the Storch House in Old Town Square, built in the late 19th century on the site of a Gothic building. The walls are covered with frescoes and colorful decorations, called I learned afterwards, “sgraffito” decorations, the origin of what we today call “grafitti” on our urban buildings. A knight on a white horse painted boldly on the Storch House turned out to be St. Wenceslas, the patron saint of the Czech state.
The Old Town Square (Staromestaske namest) also features a fantastical (if there is such an adventive) Astronomical Clock. Every hour, moving figures, the apostles, appear in the upper windows, marching around the tower, along with the toll of bells and the sound of a live trumpet filling the square with majestic sound. The crowd applauds, and the trumpeter, in regal red dress, bows. We are enchanted!
We wonder off toward a grand church with a distinctive large green cupola that draws us to it like a magnet. What is this magnificent Baroque structure that dominates the Square? It's St. Nicholas Church, and it’s interior is as elegant as its exterior, full of amazing paintings and statues, lovely stained glass windows, and a beautiful ceiling fresco above an elaborate Nave. Popes spoke here, to throngs of worshipers, Havel among them. I'm not sure what Havel's religious beliefs are, but under his spiritual side lies a free spirit who loves Frank Zappa and Smashing Pumpkins and other alternative forms of music and art. At the same time, I can picture him worshipping at one of these grand churches, or enjoying a Mozart concert in the Smetana auditorium of the beautiful Art Nouveau Cultural hall or at Philharmonic Hall, a massive Renaissance building.
There is one building in Prague which is among Olga's favorites and which she said she must see again. Would we go with her? Yes, of course. We walked along the river, along a grand boulevard, to a funny-looking building that looked as if it was swaying in the breeze. "This is it," Olga exclaimed, jumping 3 feet into the air! "It's the Dancing Building!"
So this gray "leaning-tower-of-Pisa" building wasn't swaying in the breeze, it was dancing! It was happy; it was free. I later read in a guide book that it stood on the site of a building that was bombed in 1945, and that it was designed and built between 1992 and 1996 by an American architect and a Czech architect, working together, combining old and new world styles. The architects: Frank O. Gehry and Vlado Milunic. The same Frank Gehry who designed the Toledo Museum of Art addition and the modern glass building and other buildings of distinction in America.
The Dancing Building seemed such a joyful metaphor for change and hope. It embodied the eclectic spirt of Vaclav Havel, the old and the new, dancing together into a brilliant future.
I didn’t see Havel, but his spirit is everywhere: creativity and political reality fused into a magnificent mosaic composed of the past and present. Havel inhabits Prague's essence. That’s where I found Vaclev Havel, poet-president of the Czech republic.